China’s Communist government is tapping the power of social media and artificial intelligence to tell its story — and often to skewer the U.S. and its president, after having largely tamed the internet at home with tight censorship. The same apparatus that clamps down on the domestic web is now using slick digital tools to project its message outward, turning state media into a global content machine. **Who Controls the Story** In a five-minute AI-generated animation modeled after classic martial arts movies, China’s state media framed an allegory for the war in Iran. A white eagle in regal attire representing the U.S. unleashes an evil laugh before his army attacks a group of Persian cats draped in black cloaks standing in for Iranians, who vow to fight after losing their leader and closing off a crucial trading route. The metaphor-rich short is the latest example of several AI-generated animations created by China’s state media in recent months to mock the U.S. as a global bully, including President Donald Trump’s threat to take over Greenland and his plan to exert U.S. predominance in the Western Hemisphere. The use of AI animation comes after Chinese President Xi Jinping has pushed for years to boost the country’s abilities to spread its messages globally, gain a greater say on world affairs and counter Western narratives that Beijing often sees as biased or even derogatory about China. The message is not subtle: the state wants more reach, more control over the frame, and more influence over what audiences around the world are supposed to believe. Pro-Iran groups similarly have used sleek, AI-generated memes to taunt the U.S. and Trump. It is part of an intensifying global info war in which the U.S. is vowing to up its game to counter foreign anti-American messaging and push back on worldviews against America’s interests. Recent cables by the State Department have warned that foreign messaging campaigns, carried on digital platforms by foreign state-controlled media, “pose a direct threat to U.S. national security and fuel hostility toward American interests.” **The New Propaganda Assembly Line** AI-generated “infotainment” spread via social media is likely to be more effective in persuading younger audiences worldwide to accept Chinese viewpoints and is becoming routine in the country’s messaging, said Shi Anbin, professor and director of Israel Epstein Center for Global Media and Communications at Tsinghua University. “It is a new way for Chinese mainstream media to engage global Gen Z audience and social media users to understand Chinese standpoint and viewpoint of international affairs,” Shi said. The short on the Iran war was released by the state broadcaster China Central Television on social media, went viral at home and drew rave reviews from its Chinese audience for translating a complex geopolitical war into an easy-to-understand affair. It reached the English-language world after an X user subtitled it and posted the clip online, drawing more than 1 million views in only a few days. The reach is the point: state messaging, packaged for the feed, pushed through the platforms, and amplified until it becomes part of the noise. Andrew Chubb, a senior lecturer in the School of Global Affairs at Lancaster University whose studies include political propaganda, said, “It’s hardly even like propaganda — it almost seems more just a historical fiction dramatization of the situation.” That line lands in the middle of a media system where the old stiff slogans have been replaced by something shinier, but the purpose remains the same: shape perception from above. **From Slogans to Algorithms** The article said China’s messaging was once dull, with party newspapers carrying slogan-filled, hollow-sounding speeches lauding the country’s merits while denouncing Western influence, and students and junior officials complaining of the dry study materials they were required to learn to pass exams on party history and ideology. As young people turned away from stiff party language, Beijing began to change. It no longer frowns upon impish web language but embraces it to retell the party history and has turned to rap music to extol the party’s feats. It now recruits pop singers and actors to star in patriotic films, counting on their popular appeal rather than orders or free tickets to draw young people to movie theaters. Even anti-corruption television series have become hits with intriguing plots, punchy lines and superb acting. The state has learned to dress its authority in entertainment, swapping the old lecture hall for the algorithmic carnival. Wang Zichen, deputy secretary-general for the Beijing-based think tank Center for China & Globalization, said state media are experimenting with nontraditional formats, including short-form, digitally native content using AI. “Whatever one thinks about the format, the message itself clearly resonates with increasingly larger audiences, which helps explain why such content gains traction online,” Wang said. China has directed money into promoting a narrative that targets a global audience, with the party building a massive “matrix” of social media accounts — managed by diplomats, state media, influencers and even bots — on various platforms, including X and Facebook. In February, the official Xinhua News Agency released an AI-generated music video lampooning the U.S. threat to take over Greenland. “Anything I want, I’ll get it. One way or another, I’ll get it,” sings a bald eagle character dressed in military uniform. In March, after Trump convened the “Shield of the Americas” summit, Xinhua posted a short video depicting a bald eagle caging small birds in the name of security. “Sometimes, security comes with a little control,” the suited bald eagle tells the caged birds. Tang reported from Washington. AP writer Matthew Lee in Washington contributed to this report.
