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culture
Published on
Friday, September 11, 2026 at 08:19 AM

By Zoe Rivera — Anarchist Desk

AfD Wins Big as Memory Culture Comes Under Attack

For the first time since World War Two, a far-right party has made a significant win in Germany, taking almost 44% of the vote in Saxony-Anhalt. The Alternative for Germany (AfD) is now leading the national polls, and it’s doing so while pushing a state-backed rewrite of what Germans are supposed to remember about the Nazi past.

The Vote and the Message

The AfD, which domestic intelligence has labelled "right-wing extremist", has turned a major electoral breakthrough into a political attack on Germany’s memory culture. That culture has, for decades, insisted people must never forget the Nazis' crimes. The party’s rise is not being sold as a break with history, but as a correction to it. That’s the pitch. The machinery underneath is older and uglier: a party using electoral strength to pressure schools, culture, and public memory into line.

Among the AfD’s pledges at a state level are to defund "anti-German" art and teach children less about Hitler. The language is blunt, and so is the intent. Public funding and education are being dragged into a nationalist project that treats remembrance itself as a problem to be managed. The party describes German memory culture in its manifesto as a "guilt complex". That phrase does the work. It recasts historical responsibility as an inconvenience, then offers patriotism as the cure.

Bringing the State Into the Classroom

This is where the power sits. Not in abstract debate, but in the institutions that decide what children learn and what art gets paid for. The AfD’s agenda at state level reaches straight into those institutions, using the authority of government to narrow the public story about Germany’s past. Less Hitler, less shame, more patriotism. The old nationalist script, updated for a new polling lead.

The challenge lands against a deeply held German memory culture that insists the Nazi crimes must not be forgotten. The AfD is not hiding its contempt for that tradition. It names it, attacks it, and tries to turn it into a liability. The party’s manifesto language about a "guilt complex" makes the target plain: not just a set of historical lessons, but the moral framework that has shaped postwar German public life.

BBC Berlin correspondent Jessica Parker talks through the complexities of remembering Germany’s past and the controversial ways in which the AfD wants to shape its future. The programme frames the issue as one of memory and identity, but the facts on the ground are simpler. A far-right party has won a major share of the vote, is leading the national polls, and is using that momentum to push a nationalist rewrite of education and culture.

Who Gets to Define the Past

Alice Weidel, the AfD party and parliamentary group co-chairwoman, appeared at a press conference in Berlin, Germany, on 07 September 2026. The image is neat enough for the cameras: a party leadership figure, a podium, a capital city backdrop. But the politics behind it are less polished. The party’s rise gives it more room to turn memory into a battleground, and to present historical reckoning as something to be trimmed back in the name of patriotism.

The programme was produced by Hannah Moore and Xandra Ellin, mixed by Travis Evans, with executive producers James Shield and Martine Powers, and senior news editor China Collins. The broadcast packaging may be tidy. The substance is not. A party labelled "right-wing extremist" by domestic intelligence has made a significant win, and it is using that position to challenge the postwar insistence that Germany must remember what happened under Nazism.

The numbers matter. Almost 44% in Saxony-Anhalt. Leading the national polls. First time since World War Two that a far-right party has made a significant win in Germany. Those figures don’t just describe a shift in voting. They show how quickly electoral success can be turned into pressure on schools, culture, and public memory. The state, once again, is the instrument. The past is the target.

Reviewed by the editorial desk — September 11, 2026
Last updated September 11, 2026

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