Paulo Londra’s Saturday 28 November show at Buenos Aires’ Movistar Arena starts at ARS 55,000, about US$36 at the official rate of 1,525 pesos to the dollar. Doors open at 7 p.m., and the show starts at 9 p.m. What a fan actually pays may differ.
The arena calls the concert the close of Londra’s 2026 in Argentina. He plans to mix well-known songs with tracks from his new album, which he’ll play live for the first time. The album, “entre CIELOS,” is due Wednesday 21 October 2026, and its first single is “me asfixia LA CIUDAD.” In June 2025, he played two sold-out nights at the same venue, his first Buenos Aires shows in six years, Ámbito reported.
What It Costs, and What Isn’t Said
The Movistar Arena is the show’s only official seller, through its website. Its show page doesn’t list prices sector by sector. It also hasn’t said whether the ARS 55,000 starting price includes fees.
Córdoba offers more detail. Londra plays Quality Arena there on Thursday 3 December 2026 at 9 p.m., in a concert the promoter calls “El Último Round,” or the last round, of his year. Seven colour-coded sectors are listed: Gris costs ARS 40,000 (about US$26), Azul ARS 60,000 (about US$39), Celeste ARS 70,000 (about US$46), Verde ARS 80,000 (about US$52), Amarillo ARS 90,000 (about US$59), Naranja ARS 100,000 (about US$66) and Rojo ARS 120,000 (about US$79). El Destape reported that service fees are added on top.
The dollar figures come with a caveat. Argentina has multiple exchange rates, the source notes, so card and cash costs may differ.
Who Gets In First
Banking products opened the way to early access. A presale for BBVA customers opened Thursday 10 September at 1 p.m. General sales began Friday 11 September at 1 p.m., with six interest-free instalments for BBVA cardholders. In Córdoba, a presale for Tarjeta Cordobesa, a local credit card, opened Tuesday 22 September at 1 p.m.
Buyers need a new account on the arena’s website. They can buy up to six tickets per purchase. E-tickets aren’t personalised, so staff don’t check identification at the door.
The rules for families and people with disabilities are clear. Children under 3 can’t enter. Everyone 3 and older needs a ticket, and those under 14 must come with an adult aged 18 or older. In Córdoba, children pay from age 4. Wheelchair users and one companion can book through the arena’s listed email address, and both pay the full sector price.
Bags, backpacks, food, drinks, umbrellas, mate kits and football shirts are prohibited.
An Artist Who Fought Over His Own Songs
Londra was born in Córdoba in 1998. “Adán y Eva” topped the Billboard Argentina Hot 100, and his albums include “Homerun” (2019) and “Back to the Game” (2022). Starting in 2020, he publicly disputed his contract and song rights with former label Big Ligas. The fight kept him from releasing new music for a long period.
The Movistar Arena says he was the first Argentine artist to exceed one billion Spotify streams with a single of his own. In 2026, according to the Córdoba promoter, he played the Viña del Mar festival in Chile and won its Silver and Gold Gull awards. He also headlined Lollapalooza Argentina as its only Argentine artist.
Getting to the Buenos Aires show is straightforward. The arena sits in Villa Crespo, a mostly residential district west of Palermo, with entrances at Humboldt 450, Avenida Corrientes 6094 and Avenida Dorrego 489. The Subte’s Line B serves Dorrego station. The Urquiza train stops at Federico Lacroze, and the San Martín line at Villa Crespo. Córdoba lies about 700 kilometres (435 miles) by road north-west of Buenos Aires.
No support act has been named for either concert. Quality Arena hasn’t announced a doors time. No setlist has been published.
Why This Matters: A concert listing shows how much of the cost of a night out sits in details fans can’t see until checkout. Starting prices without fee information, bank-linked presales and an exchange rate that shifts with the payment method all shape who can afford a seat and who gets the first shot at one. The full-price rule for wheelchair users and their companions shows how access rules apply to people with disabilities. Londra’s years-long fight over his contract and song rights also shows what artists risk when they don’t control their own work. For fans, the open questions are how much the final price will be and what fees will be added.